Right from the start, this is a band that is having fun. There’s an innocent honesty, almost like a special type of sincerity, that musicians can channel when they are crafting sound. When bands aren’t too busy being serious or preachy or gimmicky, when they’re at their most vulnerable, when they’ve exhausted all other options, sometimes it bleeds into the mic. While it is the gold dust that billows out from classic albums, it’s also rarely the actual subject of the music itself. This is the approach Parachute For Gordo took on their latest release, Best Understood by Children and Animals, and it’s something special. You can feel it almost blush at the attention.

Everything about this record is begging for attention, like a child asking for their parent to stick their latest painting on the fridge. Or cover art, as is the case for this album and its accompanying singles: two of the band members’ own kids helped out on the art commission side of things. To great effect, of course; it suits the vibe the band managed to lean into while going into their first professionally recorded album.

Expansive, immersive soundscapes envelop and enrapture, while sonic dissonance comes in waves and peals of thunderous cacophony. It feels good, man. At times the group channel Explosions In The Sky, with their beatific melodies and bittersweet charm, such as on “Dalai Llama.” At other times they switch effortlessly into harsher territory, with enough verve and vigour in their stepped ballads that conjure Mogwai vibes, like “White Noise Bear (I Am The Horse).” Still, at other times, there are guitar noodling moments that bring to mind Krill at their most vulnerable (“Toucan Play At That Game”). Yet there’s more on offer than influences or similar sounds.

Parachute For Gordo have nailed down a type of sound that sounds like a child erupting into joyous laughter, then melting down into a tantrum, and then back into uproarious glee. But like, if it was music. This is not one to miss.

Best Understood by Children and Animals Track Listing:

01. Dalai Llama
02. Markhor Parkour
03. A Dingo Ate My Discos
04. White Noise Bear (I Am The Bear)
05. Toucan Play At That Game
06. Snakes For The Blind
07. Alpacacino

Run Time: 40:48
Release Date: February 14, 2020
Record Label: Beth Shalom Records


Director of Communications @ V13. Lance Marwood is a music and entertainment writer who has been featured in both digital and print publications, including a foreword for the book "Toronto DIY: (2008-2013)" and The Continuist. He has been creating and coordinating content for V13 since 2015 (back when it was PureGrainAudio); before that he wrote and hosted a radio and online series called The Hard Stuff , featuring interviews with bands and insight into the Toronto DIY and wider hardcore punk scene. He has performed in bands and played shows alongside acts such as Expectorated Sequence, S.H.I.T., and Full of Hell.