You’ll be seeing nothing but flashed of “Fluorescent” when it comes to the young band Life Awaits. The Chinese alternative rock group just released their sophomore album Fluorescent via Famined Records, the follow-up to their 2017 debut record Waves, and it’s been captivating rock fans the world over. The Beijing-based quartet specializes in bridging intense breakdowns, highly atmospheric arrangements, and soaring melodies to create a quality sound that stretches well beyond the years of these young musicians.

Their accessible sound and knack for live performing has made them a steadily rising presence in their home nation, with the guys now playing shows to hundreds of fans per night, as compared to the dozens that were coming out only a couple of years ago. In the time since the release of Waves, Life Awaits have toured all over Asia, taking a large part of their musical inspiration from primarily two bands; Bring Me The Horizon and Architects. Fluorescent has been compared to Bring Me The Horizon’s highly respected Sempiternal record, which shows pretty damn good proof that these dudes mean business.

With Life Awaits quickly moving up the alt-rock ranks, what better time than now to get on the bandwagon and speak to the band themselves? In our latest Geared Up interview, we spoke with guitarist Eamonn (Yimeng) about his favourite gear these days, including his 2003 Gibson 1959 reissued guitar and his Eventide H9 Max pedal.

Watch the music video for “Blind Belief”:


What one piece of gear do you use to obtain your signature sound?

Eamonn (Yimeng): “I’m a big fan of guitar gear. Always using different types of guitars/pedals/amps to get my own tone. If I could only choose one piece of gear, for guitar, I prefer the 2003 Gibson 1959 reissue. For a pedal, the Eventide H9 Max. For amp, I use the Two Rock Studio Signature for clean tone and the Diezel Hagen for distortion sound.”

What about it makes it so important to you?

Eamonn: “I use lots of ambient sound in Life Awaits songs. A headroom clean sound and the delay and reverb is the most important things for me, and the Eventide H9 can give every effect you need.”

How was this gear used during the recording of your latest album, and for what parts?

Eamonn: “I plug a Klon Centaur to recording guitar DI signal into audio interface and use Two Notes Torpedo Reload and Kemper Profile to re-amp. The overdrive or fuzz pedals are in front of the amp, modulation/delay/reverb pedals always in amp FX loop. The clean sound like our song. On our lead single “Blind Belief,” I use BJFE Baby Blue/Honey Bee into Two Rock with Eventide H9 and Strymon Bigsky. For all the fuzzy tone in our song ”Disconnect,” I used 1980s Proco Rat.”

Check out some pics of both Eamonn’s gear, and him ripping it up live!:

Geared Up: LIFE AWAITS Guitarist Eamonn Discusses His Go-To Gear, Including His Vintage 2003 Gibson ‘59 Reissue

How do you recreate your album (guitar/vocal/bass) tones in your live set?

Eamonn: “I bring three different overdrive pedals into the Kemper Profile Stage for a live set.”

What are the major pros and cons?

Eamonn: “The amp and pedals really give a perfect sound, but it’s too heavy to use on tour. Thanks Kemper, for saving my ass (smiles).”

Do you have a backup for this gear, if so, what?

Eamonn: “I have another two Dry-Signal pedalboards, one Wet-Signal junior pedalboard, and a Mesa Triaxis Preamp as a backup. For the backup plan A: I use Mesa Triaxis and plug Wet-Signal JR pedalboard into FX loop, the stereo main output into two power amp. Plan B: Dry-Signal pedalboard, Wet-Signal, two guitar amps for stereo.”

How long have you had it, how do you use it, would you ever change it?

Eamonn: “The longest pedal I have was the 1980s Proco Rat, almost had it for ten years. I use it as a Fuzz/Dist sound but can do a beautiful clean up by the turn down the guitar volume knob to get an OD/Clean tone. It’s my favourite pedal for sure.”

Life Awaits’ latest album Fluroescent was released on November 29th via Famined Records:

Give us your best “gear goes wrong” story.

Eamonn: “Once, I had an experience when the prelude of the song started and I was about to come in when my wireless suddenly broke. I had to quickly change it over from another guitar. When everything is back to normal, the song is already halfway through. From every show since then, I have prepared a cable beside the pedalboard as backup.”

How did you come about this piece of gear? (Steal it? Borrow it? Get it from a special shop?) And what made you pick it up?

Eamonn: “Most of the effects pedals were purchased on XianYu (An app like eBay). I will buy lots of gear that I am interested in on XianYu and sell them if I don’t like them.”

How easy is it for you to tweak the device and get the tone/sounds you need?

Eamonn: “Just plug it in!”

Are they any major cons to the pedal and how does it fair during regular touring and gigging?

Eamonn: “The weak point of the pedal is too heavy. It cost a lot of money on cables and power supply.”

Any final thoughts or comments on the gear?

Eamonn: “As an analog-man, I wish one day I can reuse the amp wall and pedals to perform.”

Be “Captivated” by the latest music video from Life Awaits:

Publisher, CEO, and Co-Founder - Born in 2003, V13 was a socio-political website that, in 2005, morphed into PureGrainAudio and spent 15 years developing into one of Canada (and the world’s) leading music sites. On the eve the site’s 15th anniversary, a full re-launch and rebrand takes us back to our roots and opens the door to a full suite of Music, Film, TV, and Cultural content.