Owning the distinction as one of the original driving forces behind the short-lived Seattle-birthed but highly influential grunge movement, Pearl Jam administered a brutal blow directly to the nut sack of the international rock establishment when they dropped their dazzling debut record back in 1991. Yet, despite moving in excess of 13 million units and delivering an impressive string of old school classic rock staples (“Alive,” “Even Flow” and “Jeremy”), it can be argued (by me) that 10 isn’t necessarily the crown jewel of the band’s celebrated ten-slab studio catalogue.

Released 25 years ago this week (November 22, 1994), via Epic Records, Pearl Jam’s third set, Vitalogy, burned hotter than its two predecessors, hitting #1 on the Billboard Top 200 album chart and turning five-times platinum. A collaborative production effort between the band and famed go-to guru Brendan O’Brien (Bruce Springsteen, Stone Temple Pilots, AC/DC, Black Crowes), Vitalogy’s lo-fi sheen crackled — a detail noticed immediately by those (like me) who first experienced the record on vinyl — wonderful, warm vinyl.

Accelerated by Dave Abbruzzese’s rib-cracking drum intro, “Last Exit” kicks off the collection furiously — demanding that you sit down, shut up and pay attention. My initial reaction upon first hearing the lead-off single, “Spin The Black Circle,” was something along the lines of, “holy shit!” Decades later, my opinion hasn’t changed, by the way. Driven by Mike McCready and Stone Gossard’s breakneck, in-the-pit guitar riffage, the song is pushed further by Eddie Vedder’s urgent, signature-style vocal performance.

Recorded live from Madison Square Garden in New York City, experience the live urgency of “Spin The Black Circle.”


If the accusation is that I’ve remained partial to Vitalogy’s radio tracks over the years, I plead, “guilty as charged.” While the delicate “Nothingman” and the garagey “Whipping” still move me, I continue to connect best with the straight up rock crunch of “Corduroy” and the honest purity of “Better Man.”

However, Vedder’s “Not for You” remains my personal pick of this 14-pup litter. Speaking to then-current youth culture, the song opens with beautiful organic keyboards, glossed by Vedder’s transparent vocals. Then, as Vedder veers off the rails, Jeff Ament’s chugging bass groove grabs ya in the nether region while layers of crazed guitar work wash over in a blaze of glory.

I’ve bought several of the band’s CDs over the years. Vitalogy is the one Pearl Jam record I scored on Day One — as I said, on vinyl. Heck, I can remember taping my LP copy onto a cassette back in the day so I could play it on my Walkman (over and over) while on a six-hour flight from Orlando to Los Angeles. Good times, for sure. In sum, Vitalogy — still fresh. Still intoxicating. Still relevant. And 25 years later, it remains my PJ super-“jam.”

A fun, candid pross shot of the band circa 1994:

Vitalogy Track Listing:

01. Last Exit – 2:54
02. Spin the Black Circle – 2:48
03. Not for You – 5:52
04. Tremor Christ – 4:12
05. Nothingman – 4:35
06. Whipping – 2:35
07. Pry, To – 1:03
08. Corduroy – 4:37
09. Bugs – 2:45
10. Satan’s Bed – 3:31
11. Better Man – 4:28
12. Aye Davanita – 2:58
13. Immortality – 5:28
14. Hey Foxymophandlemama, That’s Me – 7:44

Run Time: 55:30
Release Date: November 22, 1994
Record Label: Epic Records

Also live from Madison Square Garden in New York City, “Better Man” remains one of Pearl Jam’s true live fan favourites.

Christopher Long is a celebrated author, entertainment writer, TV / radio contributor, award-winning musician, popular speaker and international missionary. Referred to once as "the rock and roll Erma Bombeck," Long is known for his conversational, common sense writing style and possessing a passion for sharing his unique perspectives on pop culture, faith and politics. Raised in Missouri's rugged Ozark Mountains and on Florida's sunny Space Coast, Long currently lives near Cocoa Beach. (AuthorChristopherLong@yahoo.com)