We’re back once again to help independent Toronto-area metalcore quintet Throne to the Wolves promote their beautifully-dissonant sound. Ahead of their upcoming Canadian tour (dates below) in support of the new Tales from The Gallows EP, due out on March 3rd, we’re pleased to debut the music video for lead single “Dust in My Lungs”!
Speaking about the new single, music and video, the band’s Billy Hulcup notee: “’Dust in My Lungs’ is a fast-paced, heavy hitting banger that grabs a hold of you right off the first note and doesn’t let go until the last note. We chose a live music video for this song because we felt it really brought an energetic atmosphere that we wanted to get across to the audience. It was shot back in December of 2017 when we opened up for All That Remains at the Opera House in Toronto. It is definitely the shortest song on the new record but it brings out a lot of energy and has quickly become one of our favourites to play live. The song itself is about the people that are draining the world of its resources for their own greed. It’s about realizing that unless something changes, eventually there will be nothing left.”
Canadian Tour Dates:
03/01 – Barrie, ON @ The Fox Lounge
03/02 – Newmarket, ON @ The Grey Goat
03/03 – Oshawa, ON @ The Moustache Club
03/08 – Toronto, ON @ The Hard Luck
03/09 – Hamilton, ON @ The Doors Pub
03/10 – Guelph, ON @ Jimmy Jazz (Gain Fest)
03/15 – Montreal, QC @ Piranha Bar
03/16 – Ottawa, ON @ Cafe Deckup
03/17 – Quebec City, QC @ Le Sonum
03/18 – Victoriaville, QC @ Bar Le West, Bar Chez Bidou
03/21 – Fredericton, NB @ TBA
03/22 – Charlottetown, PE @ Babas Lounge
03/23 – Halifax, NS @ The Pavilion
03/24 – Saint John, NB @ The Panic Room
Mieko Shimizu Premieres Music Video for “Unworldy” Single “My Tentacles”
Get stoked, cause radical multi-instrumentalist Mieko Shimizu premieres the video for the reworked single “My Tentacles.”
Radical, nonconformist Japanese singer and multi-instrumentalist Mieko Shimizu recently re-released her offbeat, unworldly single “My Tentacles.”
The single is the offbeat, unworldly title track of Mieko’s soon-to-be-released album. It is be-thronged by chimeric fusions, dysfunctional beats and startling mutations. The single is unaccompanied by an equally radical video created by diz_qo.
Speaking about the track, Mieko tells us:
“‘Emergence,’ the book by Steve Johnson, fascinated me; a colony of ants, a sprawling metropolis, and human brain cells, are all features of the unknown science of self-organisation. I wanted to cut down into society and sing a simple song about people as single cells.”
The multi-instrumentalist explains further:
“They interconnect with the multitude and conjure up a whole that is wiser together than we are individually. When my tentacles reach out and touch you, communicate with you then we become something else, something more than just an individual.”
For those who aren’t familiar with the name, Mieko has played at Sonar alongside Kraftwerk, as well as support for Goldfrapp and Massive Attack at their Melt Down Festival. She is currently an artist in residence for Wonky Plonky Electronk, an experimental, electronic live event which is touring the UK throughout 2024, the next show being on 28th March at The Cinema Room at All Is Joy in London.
Mieko has worked with an extensive range of artists, including Japan’s Mick Karn, Nitin Sawhney, Riz MC, David Cunningham, Robert Lippok and has also remixed the likes of Coldcut and Haruomi Hosono of Yellow Magic Orchestra.
Morning Bear Reveals Latest Single “A Simple Understanding”
John Runnels unveils the revival of his indie folk project, Morning Bear, with the release of new single, “A Simple Understanding”.
Denver raised and now Copenhagen based singer/songwriter John Runnels unveils the revival of his orchestral indie folk project, Morning Bear, with the release of a deeply personal and emotionally charged single, “A Simple Understanding.” Marking the band’s return after a six-year hiatus, Morning Bear’s latest offering provides an intimate glimpse into the mind of its creator, navigating through the profound challenges of loss, resilience, and self-discovery.
Characterised by highly dynamic compositions, Morning Bear’s music weaves together the calm and delicate stylings reminiscent of artists like Bon Iver and Jose Gonzalez, while embracing the complexity and depth akin to the Fleet Foxes and Sufjan Stevens. Featuring soaring vocals and unconventional arrangements, including cello, violin, piano, and more, Morning Bear crafts a textured landscape behind pop-influenced hooks.
The catalyst for Morning Bear’s resurgence lies in the transformative journey of band leader John Runnels, who, after facing a series of devastating events and losses, found solace and inspiration amid the chaos. The global pandemic, the loss of three close friends in separate tragedies, a severe injury, and battles with anxiety and depression marked a period of uncertainty for Runnels, but he emerged stronger and more resilient.
“A Simple Understanding”, a continuation of the first releases from Morning Bear after a long hiatus, showcases Runnels in an intimate and vulnerable performance, accompanied only by his acoustic guitar. Released at the time of year where it is most difficult for mental health, John recorded this in a single, live take during a rainstorm in a small garage in a village outside of Andover, UK, and the song captures the raw emotion of Runnels’ struggles and experiences. The lyrics delve into themes of self-loathing and finding hope in the darkest moments of life.
He says “People are often their own worst critic. ‘A Simple Understanding’ speaks to the self-loathing you feel when you have hit rock bottom. How do we find something to hold onto when we’re in the darkest points of our lives?”
Morning Bear invites audiences to join them, to embrace vulnerability and share the power of music to heal and connect. With echoes of early Bon Iver in its acoustic performance, ‘A Simple Understanding’ is a brutally honest and delicately executed piece of songwriting that is sure to resonate with listeners, John Runnels bears all in this captivating and emotionally charged offering that sticks.
Slightest Clue Release Their Rocking, Five-Track EP ‘Carousel’
Vancouver indie rockers Slightest Clue recently released their ‘Carousel’ EP, inspired by the beginning, middle, and end of a relationship.
Vancouver’s Slightest Clue is like the secret after-school project of four kids who would have passed each other without a glance in the hallway at school, but once they’re plugged in and ready to play their distinct blend of post-punk, alternative rock, and dark pop, all bets are off.
Produced by Matt Di Pomponio, their new EP, Carousel, is inspired by the beginning, middle, and end of a formative romantic relationship, spanning the trajectory from love to this loss of connection. The closing track, “Carousel,” marks the ultimate bittersweet reflection with unique harmonic layers to portray those contrasting emotions, shifting between grand and quiet tones.
Commenting on the album, the band states:
“The main theme is love, loss of relationship, and connection. The arc of the story is our foreshadowing of the end in our first song ‘These Days’ speaking on the day to day fights and how neither person can seem to get back to a happy place in the relationship. ‘Why Can’t I Call You?’ is the initial spark of infatuation and obsession with someone before you know them. ‘When You Wake Up’ talks of the blissed out honeymoon stage where everything is working and nothing could go wrong. ‘Suit Uptight!’ represents the mounting frustrations and resentments building tension from unmet needs. And finally our closing track ‘Carousel’ is the end and the bittersweet reflection of a cherished relationship that can no longer return.”
Each member, Malcolm McLaren, Hannah Kruse, Sean Ries, and Nick Sciarretta, brings distinct influences and experiences: a stage actor whose playlists go from Talking Heads to Sonic Youth to Björk, a hook-obsessed recovering choir girl, an electrical engineer whose personal idol is John Bonham, and a guitarist who played for (and left) 10 other bands before deciding this was the one for him.
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