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Sully Erna @ Parker Playhouse (Ft. Lauderdale, FL) on October 28, 2016 [Show Review & Photos]

Throughout the night, Sully Erna’s songs will take you on an emotional journey soliciting a wide array of emotions.

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I’ve been a huge Godsmack fan from the beginning. I love them so much I have a huge tribal sun tattooed on my back. I knew that their frontman, Sully Erna, had a softer side from the kick-ass rockstar that he portrays on stage. After spending two hours in an intimate setting with him on his current solo tour, I now look at the man in a totally different light.

His message is clear: music is nothing more than vibrations of sound. The change in frequency of those sounds affect our mood. Music is power. At the end of the night, he wants you to hear music differently. Not just rock music, but music in general. One can feel the emotion in music, high-pitched vibrations are generally happier while lower pitched vibrations are just the opposite. Throughout the night, his songs will take you on an emotional journey soliciting a wide array of emotions.

That being said, this is not a show that will make you cry all night. And if you think that you’re going to a Godsmack concert with different band members, think again. Although he did play two Godsmack songs so everyone could get their fill, this is Sully Erna as a human in his most raw, down-to-earth form, sharing his creativity as a musician in a very intimate setting. This is Sully showcasing his musical talents as a singer, songwriter, a guitarist, even a pianist. Talents that many didn’t know existed beyond Godsmack.

His tribute to his daughter was the highlight of the night, in my opinion. Watching the homemade videos on the screen behind him as he played “My Light” showed a side of Sully that not many people see. A loving father who’s daughter means the world to him. Watching this man sit at a piano with her as a toddler or dancing with her in his home really showed the human side to the man. Very touching.

I feel like I know Sully more as a person now; one with feelings and visions. He is a true artist in the purest form: one than can elicit an emotion through his art. Talking with a large number of audience members after the show all felt the same way. Sully’s solo tour continues through the month of November so be sure to check out his website for dates and cities near you.

Check out the song “Different Kind of Tears”

Album Review

The Eighty Six Seas – ‘Scenes from an Art Heist’ [Album Review]

Overall, this album does exactly what it sets out to do in encapsulating a fictionalized version of a famous art heist. Well done, The Eighty Six Seas!

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The Eighty Six Seas ‘Scenes from an Art Heist’ album artwork
The Eighty Six Seas ‘Scenes from an Art Heist’ album artwork

On February 23, 2024, The Eighty Six Seas released their first 11-track full-length album, Scenes from an Art Heist. Each track on this album is meant to represent a fictionalized story of the paintings stolen from the Isabella Stewart Gardner Museum in 1990.

The first track sets out an eerie aura that aligns with the track’s title, a dedication to Isabella Stewart Gardner. The next song is a quick switch up from the first, with flighty strings and a whispered voice from lead singer Nick Stevens.

Moving on to track number three, “Coffee and Art,” you’ll hear a faster-paced, nearly techno piece that feels like caffeine hitting your bloodstream for the first time in the morning. Their next song, “Jenny,” is a piano-led ballad spotlighting Steven’s melancholy voice. With “Lonely Afternoon,” the track transforms back into the techno feel of “Coffee and Art,” but with a darker twist.

The next song, “Cat/Mouse,” sounds exactly as you’d expect—like a tense cat-and-mouse standoff, with the music accenting this push-and-pull dynamic. “Hey Little Bird” is more or less an instrumental, with occasional lyrics included, but it is clearly meant to be the interlude.

Moving on, we arrive at a track called “The Day I Die,” a techno piece with a fabulous crescendo after its quiet beginnings. Following that, “The Eighty Six Seas” provides its track, “Portrait of a Smuggler,” which quite literally encapsulates the feeling you have while walking through a park on a sunny day.

Next, we come to “Ghost in the Cityscape,” which has darker undertones, a sorrowful cello, and a slower tempo. The final piece is titled “Frames,” which will remind you of a love letter saying goodbye or a beautiful lullaby. Overall, this album does exactly what it sets out to do in encapsulating a fictionalized version of a famous art heist. Well done, The Eighty Six Seas.

Scenes from an Art Heist Track Listing:

1. For Isabella, March 1990
2. Scenes from an Art Heist
3. Coffee and Art
4. Jenny
5. Lonely Afternoon
6. Cat / Mouse
7. Hey Little Bird
8. The Day I Die
9. Portrait of a Smuggler
10. Ghost in the Cityscape
11. Frames

Run Time:
Release Date: February 23, 2024
Record Label: Independent

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Alternative/Rock

Glixen – “foreversoon” [Song Review]

On “foreversoon,” Glixen created a song where youthful exuberance clashes heavenly with the established shoegaze sounds of yesteryear,

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Glixen “foreversoon” single artwork
Glixen “foreversoon” single artwork

It’s been less than a year since Glixen released their debut EP, She Only Said, on Julia’s War Records. Still, the Phoenix shoegazers have already dug their heels into the DIY music scene and are heading out on an extensive US tour this year alongside the likes of Interpol, Softcult, Glitterer, and fish narc. Appearances at SXSW and Treefort will only further cement their reputation as a new band worthy of note.

To herald the busy year ahead, the band has released a new single, “foreversoon,” via the AWAL label, and it’s well worth a listen.

Says lead vocalist Aislinn Ritchie:

“‘foreversoon’ represents blissful moments of new love and intimacy. The song harnesses melancholy chords, layered with fuzzy red melodies and gliding guitars that pull you in deeper. I wanted my lyrics to feel like a conversation that expresses my infatuation and sensuality. Time is relentless and memories are fleeting, this song encapsulates those emotions forever.”

It’s a fair summation. Its youthful exuberance clashes heavenly with the established shoegaze sounds of yesteryear, think Ride, Curve and Slowdive, but with the fuzz cranked up possibly higher. Ritchie’s vocals certainly share that dreamlike quality of Slowdive’s Rachel Goswell, and with many of those bands back on the road this year, perhaps the time is ripe to inject fresh blood into the genre.

Glixen, photo by Jesse Beecher

Glixen, photo by Jesse Beecher

Run Time: 3:43
Release Date: February 9, 2024
Record Label: AWAL Recordings

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Dance/Electronic

Mieko Shimizu Premieres Music Video for “Unworldy” Single “My Tentacles”

Get stoked, cause radical multi-instrumentalist Mieko Shimizu premieres the video for the reworked single “My Tentacles.”

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Mieko Shimizu, photo by Ruta Zemmere
Mieko Shimizu, photo by Ruta Zemmere

Radical, nonconformist Japanese singer and multi-instrumentalist Mieko Shimizu recently re-released her offbeat, unworldly single “My Tentacles.”

The single is the offbeat, unworldly title track of Mieko’s soon-to-be-released album. It is be-thronged by chimeric fusions, dysfunctional beats and startling mutations. The single is unaccompanied by an equally radical video created by diz_qo.

Speaking about the track, Mieko tells us:

“‘Emergence,’ the book by Steve Johnson, fascinated me; a colony of ants, a sprawling metropolis, and human brain cells, are all features of the unknown science of self-organisation. I wanted to cut down into society and sing a simple song about people as single cells.”

The multi-instrumentalist explains further:

“They interconnect with the multitude and conjure up a whole that is wiser together than we are individually. When my tentacles reach out and touch you, communicate with you then we become something else, something more than just an individual.”

For those who aren’t familiar with the name, Mieko has played at Sonar alongside Kraftwerk, as well as support for Goldfrapp and Massive Attack at their Melt Down Festival. She is currently an artist in residence for Wonky Plonky Electronk, an experimental, electronic live event which is touring the UK throughout 2024, the next show being on 28th March at The Cinema Room at All Is Joy in London.

Mieko has worked with an extensive range of artists, including Japan’s Mick Karn, Nitin Sawhney, Riz MC, David Cunningham, Robert Lippok and has also remixed the likes of Coldcut and Haruomi Hosono of Yellow Magic Orchestra.

For more information on diz_qo, check him out online here. To check out more of Mieko’s work or to pre-order the upcoming album, click here.

Mieko Shimizu ‘My Tentacles’ Album Artwork

Mieko Shimizu ‘My Tentacles’ Album Artwork

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